Wednesday, November 14, 2012

Film Cinematics and “The Shining”


Apart from the sheer thrill of suspense, drama, fear and entertainment delivered by this movie, its none the less a classic example of one of those standalone movies, where film cinematics are displayed in their best of forms. Whether it’s the sound, the lights, the narrative, the dialogues, the acting, the editing or the sets, the Mis-en-scene of “The Shining” plays a perfect synchrony of both form and function.
In the following paragraphs, we will touch many of the facets of film cinematics in “The Shining” and evaluate how each played the role, it’s supposed to.
Nothing would be better than to begin with the opening sequence of the movie, which in a way sets the tone for the rest of the movie. The score for the opening scene creates a strange, grotesque and disconnected feeling about the movie. The screams or noises we hear towards the end of the opening score create a sudden distraction. This somehow brings us back to the same feeling of disconnection, all the while we were still trying to familiarize ourselves with the location, setting and general tone of the movie. The ominous and eerie music gives us a sense of imminent danger. We can clearly observe some match cuts during this opening sequence, signaling continuity of the film. The framing of the shots are mostly in a bird’s eye view fashion, allowing us to observe the surroundings, while we still follow the car, intrigued, and wondering, where it is going, what is going to happen, who is driving the car etc.